Posts Tagged ‘Photography’

New Work: Election Campaign

Sunday, May 9th, 2010

help39 billboard

So, the outcome of the UK general election last week is the most interesting one a man of my tender years can recall, as we still await confirmation of who will govern our country for the next few years or, more likely, months.

In the run-up to the election, The two universities in Nottingham (Nottingham Trent and The University of Nottingham) got together to co-ordinate a billboard campaign in conjunction with the NUS campaign voteforstudents, aimed at highlighting the size and strength of the student vote. The campaign was based around the issue of the ever-increasing cost of higher education in the form of the controversial top-up fees which were introduced a few years back.

Statistics show that the average debt per graduate currently stands at £26k per person; this adds up to a staggering average debt of £1 million per 39 students - something which clearly needs addressing if degree-level education is to be accessible to all.

The campaign strategy played on this statistic by spelling out the word ‘HELP’ with a clever arrangement of 39 students. I shot the campaign using student volunteers situated on a grass verge which was scouted by the campaign team. The students were all given white t-shirts for uniform(-ity) and were arranged into position by me shouting instructions from third floor University office nearby, which did wonders for the office-workers concentration,  I can assure you.

Once the shoot was in the bag, I put together the artwork for the billboard, keeping with the simple white on green colour scheme. The copy, which is hard to read in these photos due to this particular billboard being spliced for ad rotation (and said splices being a bit wonky), reads “Students graduate from university with an average debt of £26k. 39 students represent a combined debt of £1million. Help them: voteforstudents.co.uk”.

The campaign ran in the city for a month prior to the election and was also sited on a further two static billboards which, unfortunately, I never got a chance to photograph, but were much more readable than the squiffy one presented here, though the text can just about be made out in this close-up…

help39 billboard close-up

Feedback from the campaign team is that it was a success, with student voting turnout being significantly higher than it has been for over a decade.

*Update: one of the campaign team sent me a photo of one of the static boards, which shows everything much more clearly than the spliced ones…

help39 static billboard

New Work: Corporate Portraits

Thursday, October 8th, 2009

Corporate Portrait - Jon

Here’s one image from the second round of corporate portraits I recently completed for local university staff. I didn’t have the luxury of a photo studio this time, just a bare wall freshly painted in magnolia for a backdrop, but I managed to replicate the look of the original series by controlling the lighting.

This series of shots were all lit with the same 2 flash setup - one bare flash nuking the wall behind the subject, making sure it ended up white in the photo, and one flash through a brolly 45degs high left to light the faces softly but with enough direction to sculpt the features nicely, as evidenced by this shot of Jon. (I could post the other 39 portaits from the session to show how repeatable these results are, but I’m guessing that would get a bit boring, not least for me having to upload them all).

I controlled the depth of the shadows by getting each person to hold a glossy piece of white card on their lap to reflect the main light back upwards and lighten the under-chin shadow (it also gave the nervous folk something to concentrate on other than the shiny big lens pointing right at them). A full length reflector was placed just out of the frame on the right hand side to lighten up the unlit portion of the subject’s face. Finally, 30 seconds work in Photoshop gave the image the final sheen I was looking for.

LeftLion Issue 30

Sunday, August 9th, 2009

LeftLion issue 30 cover

So, in my post on issue 29 of LeftLion magazine, I mentioned a vague plan to use some vibrant illustration for the front cover of our fifth birthday issue. Well, we ended up with a photographic cover, but it does feature some illustrations - seven of them, in fact.

We decided, rather than settle for one illustration, it would be better to commision a bunch of our regular illustrators to each make us a birthday card. The cards were then set up in an arrangement suitable for a fifth birthday with cake, candles, crepe paper and all. The resulting setup was photographed by my good self, who then took great delight in making the cake disappear :o)

Thanks to Alex Godwin, George Mitchell, Kim Thompson, Rob White, Ging Inferior, Alison Hedley and Mike Lomon for their card contributions.

New Work: Corporate Portraits

Tuesday, July 28th, 2009

corporate portraits

I’ve been pretty busy with the camera recently; shooting animations, gigs, product shots, portraits and magazine covers in the last week. The images above are from a series of corporate headshots I made of the Elected Board of Directors (nice job titles!) for a local university student union. I was pretty pleased with the way these came out (larger versions can be seen here) - soft and light without being blown out, which is exactly what they were looking for. The organisation obviously liked them too - there is now a plan to extend this project to cover all staff members with the photos being used on a web page introducing the company staff. 60 headshots in 3 hours? Easy!

New Work: Website Animation

Wednesday, July 22nd, 2009

web animation edit

Okay, I must confess something. Though I am obsessed with still images, moving images (as in films/TV/adverts) have never really got my pulse racing. I know it’s not fashionable or very 21st century, but they just haven’t.

I am a man who is prone to contemplation and analysis, so perhaps I prefer working with stills as they give me the time to do this, whereas a movie reel doesn’t allow for it so much.Maybe my brain is just a little slow, though I wonder how much real-time analysis one can do at 30 frames-per-second.

Whatever. I like still images. And animation. I’ve always loved animation, especially low framerate stuff which is all jumpy. Seeing the joins between frames gives me the comfort of seeing the individual stills which make up the animation so I can work out what is going on, plus, I like the charm of it. But that’s just me; I know there’s plenty of people out there who like things as slick as they come, if not slicker, but I’m not one of them. So, this is about as motion-orientated as my work gets - a jumpy stopframe animation done for a part of a website I have been working on. It was shot with a Nikon D70 DSLR and 3 flashguns, then pieced together in Adobe Imageready.

It is going to be used to visually represent the ‘virtual receptionist’ which allows people to chat directly to one of the company directors when they are online. There’s a still version for when nobody from the company is available to chat, and the animated version above which comes to life when somone logs on.

Incidentally, the guy in the animation is David Cameron Walker, the new daytime voice of BBC Radio 1, provider of voiceover links between the different programs and news bulletins etc. So, if you have heard his voice and were wondering what he looks like, wonder no more. Just don’t expect me to make any jokes about him having ‘a good face for radio’. (Sorry Dave, just kidding).

LeftLion Issue 29

Tuesday, June 9th, 2009

LeftLion issue 29 cover

The latest edition of LeftLion hit the mean streets of Nottingham this weekend, with a cover feature on the World Twenty20 cricket tournament. The fixtures are being held at four grounds around the country this month, including Trent Bridge (which was host to Australia’s exit yesterday - sorry boys, you just couldn’t cut it, see you when you hand over the ashes…). The tournament is being broadcast around the world on satellite television and is expected to reach an audience of half a billion people!

We came up with a cover concept which depicted the difference in scale of watching a cricket match on tv and being at the real thing, aiming to encourage people to take advantage of the event happening in their own back yard (Nottingham’s a small place).

The idea we ran with was the photo you see above; a shot of two people watching cricket on tv, as if in their lounge, but set up on the pitch at Trent Bridge. I wanted to use a photograph to bring a sense of realism to the viewer’s perspective, giving the impression of being closer to the scene than illustration could have achieved. I like the way it plays with the idea of scale and proximity, reflecting the two viewpoints from which people will experience the event.

It was a pretty simple shot to set up (Trent Bridge’s marketing guy was on side), the only hiccup being having to reschedule the shoot date due to bad weather (English cricket grounds are, of course, used to having such circumstances delay proceedings, so it wasn’t too much of a problem). Second time around we got good weather with an enticing blue sky, so I set everything up on the rug at the corner of the pitch, making sure to inlcude the scoreboard, poured prop drinks for the people in the chairs and was done in about ten minutes.

The coverline in the sky seals the deal, helping make sense of the image and bringing the whole cover together. It also has a bright, colourful quality to it which makes for a nice seasonal progression for this year’s covers so far: white and stark in winter (issue 27), flowers in spring (issue 28) and green grass and blue skies for summer. I think the next issue could be due a far-out cover illustration.

New Work: Graeme Park portrait

Thursday, May 21st, 2009

Graeme Park

Last week I held a photoshoot with Hacienda resident and legendary DJ Graeme Park to accompany a magazine interview. It ended up being quite rushed as he arrived late and had to start his set almost as soon as he got there so I only had a 10 minute window to shoot him. Thinking the venue was covered in black drapes, my initial plan was to use backlighting to give him a halo rim light, then light his face with a flash through a brolly.

However, arriving at the venue I realised there were no black drapes or similar backdrop so had to modify my plan. One problem with doing a portrait session like this in a nighclub is that it is too loud to talk to your subject in a comfortable and natural manner. Shouting and picking up every third word is not conducive to developing a rapport, so I had to keep things simple, quick and easy. I spotted the curtain used as a partition to screen off the VIP area and saw an instant backdrop which I could fire a diffused flash through, so set up in this area quickly and got Graeme to sit in a leather armchair and fired a few frames. See set-up shot below.

graeme-park-setup

Reviewing the images later revealed the limitations of such a quick setup - the rear flash is not fully hidden behind Graeme, which causes the hotspot to his right. Also, I must sheepishly admit that I failed to notice my camera was set to ISO 1600, which meant that I burned a lot of pixels unnecessarily and ended up with a noisier, higher-key image than intended. A lesson learned! I’m still happy with the image, given the timeframe and shooting conditions, but it is definitely not as intended. Luckily, the softness of newsprint should swallow the noise up and save my bacon. Thank the lord for poor print quality!

To see a larger version, click on the image.

New Work - Fairtrade table menus

Thursday, April 23rd, 2009

fairtrade menus

I FINALLY GOT AROUND to photographing these table-top menus I did for a local bar a few weeks ago -  A6 cards advertising Fairtrade tea and cakes. I wanted people looking at the menu to be almost able to taste the cakey goodness and smell the tea, so decided to use close up photography to emphasize the sugary texture on the cherry slice (which meant I got to unwrap it; and also meant I got to eat it). Ditto the scattered tealeaves (which is actually a rare instance of me using stock photography) - they help to conjure up the sweet smell of fresh tea. Text is set in ITC Lubalin, coloured to echo the  blue and green of the Fairtrade logo.

LeftLion Exhibition: Our Style Is Legendary

Saturday, March 7th, 2009

ll-exhib-1

A BIG THANK YOU to all of the artists who have contributed work to the LeftLion exhibition currently on show at the Malt Cross in Nottingham. I would also like to extend this thanks to anybody who came down to the opening night on Thursday - it was awesome and had a real buzz about the place.

We had two frenzied nights getting the exhibition ready but somehow we made it, with just three pairs of hands on call for the setup and hanging sessions. Massive thanks to Alan Gilby And Rebi for all their hard work and dedication.

_dsc0197-crop-web1

In the end, we have over 90 individual pieces on display by over 25 artists and had over 200 people through the door on the opening night. Thanks for all the positive comments - the art is pretty densely packed on the walls and with all the meeting and greeting it was difficult to take it all in with the attention it deserves.

shrug-ladies

Rikki Marr also did some sterling work for charity, raising money for Comic Relief by doing live portraits of willing visitors in the bar.

Some of the works in the gallery have already been sold and plenty of people have visited since the opening night, so I think it’s fair to judge the exhibition as a great success.

ll-exhib-32

Our Style is Legendary: The Art of LeftLion is open every day until Sunday 15th March from 11am-6pm and will be open until 11pm from 11-13th March. If you are in town during this time, come down and check it out - it is conveniently located at the bottom of St.James’ Street, just off Market Square.

A scaled down version of the exhibition will be on show at the Golden Fleece from 21st March, but if you want to see the original canvases and installations, hit the Malt Cross this week while you have the chance.

Exhibition: Our Style Is Legendary

Wednesday, February 18th, 2009

Our Style Is Legendary Exhibition Poster

I am currently busy organising and curating Our Style Is Legendary: The Art of LeftLion, an exhibition celebrating LeftLion’s five years as the cultural cornerstone of Nottingham. The exhibition will feature prints and canvases from an archive of artwork by the cream of Hoodtown’s illustrators and photographers, as well as video installations and sculpture in the gallery space.

We will also be showcasing new work by artists who responded to a brief of representing the left lion in Nottingham’s market square as a meeting place and human interaction in the city (this being the initial idea which inspired LeftLion’s existence). Judging by the pieces I have received so far, things are shaping up nicely with some fantastic canvases and a great film turning up in the post this week. I’ll add more details in the next few days, so keep your eyes peeled for a little taster of what will be on display.

The opening night is at the Malt Cross on Thursday 5th March, starting at 7pm with live bands and performance throughout the night. The artwork will be on show in the gallery space until Saturday 15th March, then a selection of prints will be on display at the Golden Fleece from Thursday 20th March.

Work will be on show by artists including Rob White, Nick Chaffe, Rikki Marr, Simon Mitchell, Alex Godwin, Dom Henry, Simon Raven of Backlit and lots of other artists who are way too studio-bound to have anything as unnatural as a website. Come down, have a beer and check it out, just watch out for the metal animals which will be prowling around.